ABBY 1974 Blaxploitation Horror Film

A Pastors wife is possessed by an evil Nigerian God released by her archaeologist father on one of his digs. While on an archaeological dig in a cave in Nigeria, Dr. Williams finds a small puzzle box, carved with the symbols of Eshu: the whirlwind, the cock's comb, and the erect phallus. When Dr. Williams discovers the mechanism to open the box and unlatches it, a tremendous wind blasts out, knocking Dr. Williams and his men against the cave walls and floor. The spirit released by Dr. Williams crosses the Atlantic to Louisville, Kentucky to the new home of Dr. Williams' son, Emmett Williams and Abby Williams. After Abby becomes possessed, her behavior becomes erratic, bizarre and dangerous. Typical 70s film feel opening dialogue and title song. I see a lot of films in this one, The Exorcist, Poltergeist and The Entity spring to mind. The film was a financial success, considering its modest budget and the times, grossing $4 million in a month, but was pulled from theaters after the film's distributor, American International Pictures, was accused of copyright violation by Warner Bros., which saw the film as being derivative of The Exorcist and filed a lawsuit against AIP. Director William Girdler himself told the Louisville Courier Journal: "Sure, we made Abby to come in on the shirttail of The Exorcist." The film is also inspired by 1968's Rosemary's Baby.

Blaxploitation - is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, then president of the Beverly Hills-Hollywood NAACP branch. He so named it because he claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypical characters often involved in criminal activity. However, the genre does rank among the first after the race films in the 1940s and 1960s in which black characters and communities are the heroes and subjects of film and television, rather than sidekicks, villains, or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s. Blaxploitation films were originally aimed at an urban African-American audience, but the genre's audience appeal soon broadened across racial and ethnic lines. Hollywood realized the potential profit of expanding the audiences of blaxploitation films across those racial lines. From my list of Horror Movies 1974.